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While she’s often the butt of the joke, feeling out of place amid the hoity-toity lives of the Sheffields, the joke is never punching down at her. Somehow, she manages to be the everywoman as well as a wholly unique figure, and all without stomping down the aspects of her persona that she was told middle America would hate. She throws herself into physical scenes with ease and plays around with her distinctive theatricality. The Nanny, thankfully, lets Fran be Fran. She had even been told by acting teachers and casting directors to change her voice to something more "palatable" or downplay her Jewishness. She was deemed to be "too much" by many, a deliberately full-on performer with no desire to quash the very things that made her unique. With one failed sitcom under her belt as well as a steady stream of supporting performances in things like This is Spinal Tap and UHF, Drescher's distinctive voice and vintage delivery made her hard to cast. but the magic of the show is in that simplicity, its evident influences of shows like I Love Lucy and Bewitched that prized a familiar set-up with a slew of one-liners, expertly executed pratfalls, and to-die-for chemistry.īefitting a show created by its leading lady, The Nanny is a well-manicured star vehicle for Fran Drescher.
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Some critics found The Nanny too dated, an obvious throwback to TV comedy of the '50s and '60s rather than the acerbic or eagerly chic shows making their mark in the '90s.
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While the series was a flop in its first season, it soon gained a major audience both across America and internationally. Babcock, and Fran's frequently nosey family, and delightful chaos ensues. Sheffield's business partner and frequent rival of Fran, C.C. Created by and starring Fran Drescher, the series centers on the charismatic Fran Fine, a street-smart Jewish American girl who finds herself working as the nanny for a trio of well-to-do English kids living in a lavish home alongside their father, the semi-successful Broadway producer Maxwell Sheffield (all of this is explained in the very catchy theme tune.) Add to the equation a sardonic butler named Niles, Mr. Starting on April 1, audiences could binge-watch every single episode of the beloved '90s sitcom The Nanny on Warner Bros' streamer, HBO Max. Meanwhile, other streamers of note are banking big on nostalgic content, and this month, HBO Max dropped an unexpected motherlode on viewers’ laps. Netflix will be hoping to replicate that success with its exclusive streaming rights to Seinfeld, which premieres on the service later this year. Netflix’s original series Ozark accounted for around 508 million hours of viewing time, but that was nothing compared to the gargantuan 952 million hours pulled in by The Office on the same platform.
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According to Nielsen's first-ever yearly streaming show rankings, the most-watched shows of 2020 were things like The Office, Grey's Anatomy, and Criminal Minds.
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Nielsen ratings showed that, despite the billions of dollars being spent on creating dazzling new content for these services, viewers mostly just wanted to watch what they were familiar with. As a result, the former is receiving a reunion special on HBO Max and the latter has spawned fan podcasts, petitions for revival, and a Billie Eilish song that sampled the series. Gen Z latched onto Netflix marathons of Friends and The Office in a major way, bringing about a new era of interest in both sitcoms long after they had stopped airing new episodes. The dominance of streaming has led to a resurgence in popularity for a slew of films and TV series.